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Engaging Fanfares from Toronto
Ralph Graves Ralph Graves

Engaging Fanfares from Toronto

The Festival not only presented three new compositions to the world. It also let the world respond to them. Now that's an exciting concept.

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#Operaplot 2010: The Denouement
Ralph Graves Ralph Graves

#Operaplot 2010: The Denouement

When I blogged about the #Operaplot Twitter competition last week, I promised an update with a list of winners and how my entry fared. Music critic Marcia Adair hosts a yearly competition on Twitter, where the challenge is to sum up an opera in 140 characters or less.

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The #OperaPlot Thickens
Ralph Graves Ralph Graves

The #OperaPlot Thickens

The challenge was two-fold: tweeters had to come up with clever and innovative ways of summing up an opera, and readers had to figure out which opera was being summed up.

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Charting a new course away from the charts
Ralph Graves Ralph Graves

Charting a new course away from the charts

We don't program our classical music to be an upscale substitute for Muzak -- lots of lush, orchestral music with a smattering of pleasing piano renderings for your background listening pleasure.

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Alt-Classical Aston
Ralph Graves Ralph Graves

Alt-Classical Aston

The interface between popular and classical music always holds the promise of innovation -- a promise not often realized.

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More on Encores
Tim Snider Tim Snider

More on Encores

Today, when even the dreariest and most routine performance is received with the perfunctory standing ovation, the encore seems to have lost its significance.

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Gamut - One Thing Leads to Another
Ralph Graves Ralph Graves

Gamut - One Thing Leads to Another

“This is Gamut, the program that each week runs the gamut of music from the Middle Ages all the way up to the present. And over the course of X number of shows, we have yet to repeat a work (at least on purpose) and we've yet to run out of great music to share with you.”

How is that possible? Simple. Just dig a little beneath the surface.

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Arts Council at the University of Virginia

We are grateful for the generosity of the Joseph and Robert Cornell Memorial Foundation and UVA Arts Council, supporting WTJU and CharlottesvilleClassical.org.