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Johann Theile’s St. Matthew Passion anticipates Bach
Manfred Cordes and the Wexer-Renaissance Bremen give a beautiful and measured performance of this work. Both the performances and the recording are first-rate.
Karl Weigl String Quartets pure Post-romantic goodness
The Thomas Christian Ensemble performs with sensitivity and beauty. They don’t shy away from Weigl’s dissonances while maintaining the expressive lyricism of the music. This is deeply personal music as the quartet’s intimate performances suggest.
#ClassicsaDay #BlackLivesMatter Week 4
Classical music isn’t immune to systemic racism. It’s an art form that, like painting, sculpture, literature, or poetry, is a powerful form of expression for many voices. But some voices are heard more often than others.
The elegant refinement of Leopold Kozeluch piano trios
TRIO 1790 has internalized the performance practices of the era, and play on instruments the music was written for. These trio sound light, transparent, and agile. If you think Mozart had a monopoly on that sound, listen to these works. Elegant music was in the air.
Gloria Bruni “Ringparabel” delivers powerful message
The Radio Symphony Orchestra Minsk performs with energy and commitment. Deborah Humble and Andrej Morozow deliver solid performances, too. It’s an exciting work with a message we need today.
Agnes Zimmermann — another find from Toccata Classics
Zimmermann had her own voice, and one I was glad to hear. That’s why labels matter. Had these been released a label other than Toccata Classics, I might not have taken a chance.
Weinberg symphonies have hidden depths
This release presents two Mieczyslaw Weinberg string symphonies. These works, separated by a span of 18 years, are similar only in the choice of ensemble.
The pioneering wind music of Johann Hertel
Karla Schröter and Will Kronenberg make a good team. Their instruments combine beautifully and are especially effective in articulating Hertel’s phrasing.
Jean-Luc Tingaud brings out the drama in Franck
Drama conveyed through lush and imaginative orchestration, is at the heart of each of these works. And Tingaud’s vision brings those dramas to life.
We are grateful for the generosity of the Joseph and Robert Cornell Memorial Foundation and UVA Arts Council, supporting WTJU and CharlottesvilleClassical.org.